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Last week I showed you a comedy sketch that I'd written. This week I'll show you
another comedy sketch I've written.
The difference between the two is that last week's sketch, "The Eye Has It," has been performed — more than once, with different players — and has gotten laughs in both rehearsal and performance. It's usually my go-to piece when someone wants to review a sample of my comedic work.
The sketch I'm about to present has resulted in odd looks and nervous laughter during the couple of rehearsals and classes in which I've unleashed it. It has never been performed live.
I once took a sketch-writing class with Ian Roberts, who was in the core Upright Citizens Brigade quartet when Amy Poehler was just another underground improv comedienne. (When I took the class, I believe she was just a "featured player" on
SNL.)
I considered it an honor to be in a class taught by Roberts, but he seemed rather depressed most of the time when he taught our class. He did give great criticism of our work, but the sketch I'm presenting today completely stumped him. He said that he honestly didn't know what to say about it.
I also brought it out for a comedy-writing class I took with
D.B. Gilles, a great writing teacher from NYU and author of books including
The Screenwriter Within. His criticism of the sketch, as far as I remember, resulted in a very heated argument between us. I can't remember why, nor do I blame him.
Anyway, I bet you can't wait to read it, right? Here goes! (I should also mention that Mrs. The Anthony Show
hates it more than anything I've ever written, and that includes letters to all my ex-girlfriends she discovered the night before we married.)